Bulletin De La Sociãƒâ©tãƒâ© De Lã¢ââ¢histoire De Lã¢ââ¢art Franãƒâ§ais Issn
Lire l'introduction de Natalie Boymel Kampen
Articles :
1. Meyer Schapiro, "The Romanesque Sculpture of Moissac," Art Message 13, nos. 3-4 (September and December 1931): 249–351 and 464–531.
2. Robert C. Smith, Jr., « The Colonial Architecture of Minas Gerais in Brazil, » Art Bulletin 21, no. two (June 1939): 110–159.
three. Ananda Thousand. Coomaraswamy, "Ornament," Art Bulletin 21, no. four (December 1939): 375–82.
4. Rensselaer W. Lee, "Ut Pictura Poesis: The Humanistic Theory of Painting," Fine art Bulletin 22, no. 4 (Dec 1940): 197–269.
five. Mehmet Aga-Oglu, "About a Blazon of Islamic Incense Burner," Art Message 27, no. 1 (March 1945): 28–45.
6. Ramsay MacMullen, "Some Pictures in Ammianus Marcellinus," Art Bulletin 46, no. iv (December 1964): 435–56.
seven. Linda Nochlin, "Gustave Courbet'due south Meeting: A Portrait of the Artist equally a Wandering Jew," Art Bulletin 49, no. 3 (September 1967): 209–22.
8. Leo Steinberg, "Michelangelo'southward Florentine Pietà: The Missing Leg," Art Message l, no. iv (Dec 1968): 343–53.
9. Carol Duncan, "Happy Mothers and Other New Ideas in French Art," Art Message 55, no. 4 (Dec 1973): 570–83.
10. Leo Steinberg, "Pontormo's Capponi Chapel," Art Message 56, no. 3 (September 1974): 385–99.
11. Elizabeth Cropper, "On Beautiful Women, Parmigianino, Petrarchismo, and the Colloquial Way," Art Bulletin 58, no. iii (September 1976): 374–94.
12. Wayne Eastward. Begley, "The Myth of the Taj Mahal and a New Theory of Its Symbolic Meaning," Art Bulletin 61, no. 1 (March 1979): 7–37.
13. Frederick J. Lamp, « House of Stones: Memorial Art of Fifteenth-Century Sierra Leone » Fine art Message 65, no. 2 (June 1983): 219–37.
fourteen. Suzanne Preston Blier, « Kings, Crowns, and Rights of Succession: Obalufon Arts at Ife and Other Yoruba Centers » Art Bulletin 67, no. 3 (September 1985): 383–401.
15. Annabel Jane Wharton, "Ritual and Reconstructed Meaning: The Neonian Baptistery in Ravenna," Art Bulletin 69, no. 3 (September 1987): 358–75.
16. Henry Maguire, "The Art of Comparing in Byzantium," Art Bulletin 70, no. ane (March 1988): 88–103.
17. Margaret Olin, "Forms of Respect: Alois Riegl'southward Concept of Considerateness," Art Bulletin 71, no. 2 (June 1989): 285–99.
xviii. Patricia Leighten, « The White Peril and L'Fine art nègre: Picasso, Primitivism and Anticolonialism, » Art Bulletin 72, no. 4 (December 1990): 609–30.
xix. Suzanne Preston Blier, "Imaging Otherness in Ivory: African Portrayals of the Portuguese ca. 1492," Art Message 75, no. 3 (September 1993): 375–96.
20. Donald Posner, "Concerning the 'Mechanical' Parts of Painting and the Creative Civilisation of Seventeenth-Century French republic," Art Message 75, no. 4 (December 1993): 583–98.
21. Bettina Bergmann, "The Roman House as Retentiveness Theater: The House of the Tragic Poet in Pompeii," Art Bulletin 76, no. 2 (June 1994): 225–56.
22. Lee Stephens Glazer, « Signifying Identity: Art and Race in Romare Bearden's Projections, » Fine art Bulletin 76, no. 3 (September 1994): 411–26.
23. Ladislav Kesner, « Likeness of No One: (Re)presenting the Commencement Emperor'south Ground forces, » Art Bulletin 77, no. 1 (March 1995):115–32.
24. Keith Moxey, "Motivating History," Art Bulletin 77, no. 3 (September 1995): 392–401.
25. Kathleen Pyne, "Portrait of a Collector every bit an Agnostic: Charles Lang Freer and Connoisseurship," Art Bulletin 78, no. 1 (March 1996): 75–97.
26. Karen Lang, "The Dialectics of Decay: Rereading the Kantian Subject," Fine art Bulletin 79, no. 3 (September 1997): 413–39.
27. Genevieve Warwick, "Souvenir Exchange and Art Collecting: Padre Sebastiano Resta'due south Cartoon Albums," Art Bulletin 79, no. 4 (December 1997): 630–46.
28. John Davis, « Eastman Johnson'due south Negro Life at the Southward and Urban Slavery in Washington, D.C. » Art Message eighty, no. ane (March 1998): 67–92.
29. Thomas F. Hedin, "The Petite Commande of 1664: Burlesque in the Gardens of Versailles," Art Bulletin 83, no. iv (December 2001): 651–85.
xxx. Finbarr Barry Flood, "Between Cult and Civilisation: Bamiyan, Islamic Iconoclasm, and the Museum," Fine art Message 84, no. 4 (December 2002): 641–59.
31. Sheila S. Blair and Jonathan One thousand. Bloom, "The Mirage of Islamic Art: Reflections on the Written report of an Unwieldy Field," Fine art Bulletin 85, no. ane (March 2003): 152–84.
32. Stella Nair, "Localizing Sacredness, Difference, and "Yachacuscamcani" in a Colonial Andean Painting," Art Bulletin 89, no. 2 (June 2007): 211–38.
Comptes-rendus :
33. Meyer Schapiro, "The New Viennese Schoolhouse," on Otto Pächt, Kunstwissenschaftliche Forschungen, 2, Art Message 18, no. 2 (June 1936): 258–66.
34. James S. Ackerman on Rudolf Wittkower, Architectural Principles in the Age of Humanism," Fine art Bulletin 33, no. three (September 1951): 195–200.
35. Mieke Bal on Svetlana Alpers, Rembrandt's Enterprise: The Studio and the Market, Art Bulletin 72, no. ane (March 1990): 138–43.
36. Griselda Pollock on Mary D. Garrard, Artemisia Gentileschi: The Epitome of the Female Hero in Italian Bizarre Art, Fine art Bulletin 72, no. three (September 1990): 499–505.
37. Christopher S. Forest on Hans Belting, Bild-Anthropologie: Entwürfe für eine Bildwissenschaft, Fine art Bulletin 86, no. ii (June 2004): 370–73.
38. Irene J. Winter on James Cuno, Who Owns Artifact? Museums and the Battle over our Ancient Heritage, Art Message 91, no. 4 (December 2009): 522–26.
Folio web de référence : http://www.collegeart.org/artbulletin/centennial#essays
Source: http://blog.apahau.org/the-art-bulletin-une-anthologie-en-ligne/
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